A haunted theatre, filled with the vengeful spirits of a tragically-trapped performance troupe murdered in a fire 13 years ago, waits for the once-grand palatial playhouse to re-open with a new show - and bring in new victims.

A dance troupe trapped in their theatre by the Zombie Apocalypse discover that the threat doesnt just lie beyond the chained doors, and that there are indeed worse things than being torn apart by critics.

Andy the Arsonist welcomes everyone to his theater of derange for a wild night of thrills, chills and spills. Andy kick's off the night by hosting five short horror films from some of the best Horror Writer/Directors in the indie scene.

Down a seedy city street in her neighborhood, young Enola Penny is obsessed with what appears to be a long abandoned theatre. One night, she sees that the front door is slightly ajar and impulsively decides to sneak inside. But there in the dark, decrepit auditorium, a show unlike any other unfolds before her eyes. Its host is an eerie human puppet named Peg Poett who will introduce Penny to six tales of the bizarre: A couple traveling in a remote part of the French Pyrenees cross paths with a lustful witch; A paranoid lover faces the wrath of a partner who has been pushed to her limit; The Freudian dreams of an unfaithful husband blur the lines between fantasy and reality; The horrors of the real world are interpreted through the mind of a child; A woman addicted to other people's memories gets her fix through the vitreous fluid of her victims' eyeballs; And a perverse obsession with sweets turns sour for a couple in too deep.

A study of the Group Theatre, a company that changed the face of American drama. The Group was founded in 1931 by Cheryl Crawford, Harold Clurman and Lee Strasberg, who were strongly influenced by the naturalistic acting of Konstantin Stanislavski’s Moscow Art Theatre.

‘All my life – all your life – I’ve struggled with this: was what I did “wrong”?’ Germany, 1945. Thomas, one of thousands of children stolen by the Nazis from Eastern Europe during WWII, is under the care of Ruth, a UN relief worker. Should she try to find his parents or leave him with those he’s grown up with? The choice she makes will shape his life. London, 1990. Years later, Thomas visits Ruth. As they untangle the past, the decisions Ruth made as a very young woman are called powerfully into question. Juliet Stevenson is Ruth in this remarkable and timely new play by David Lan, former Artistic Director of the Young Vic. Immersed in the shapeshifting nature of memory and morality, it’s directed by Stephen Daldry (The Jungle, The Inheritance).

Forced to travel West in search of a promised land, the Joad family embark on an epic journey across America in the hope of finding work and a new life in California. Their story is one of false hopes, wrong turns and broken dreams, but also a hymn to human kindness and a tribute to the endurance of the human spirit.

This show started in New York City, with Broadway actors and actresses. It then moved to Hollywood, California, where Hollywood actors and actresses headed the cast.

Guillermo del Toro, Rian Johnson and other film luminaries look back at LA's historic Egyptian Theatre as it returns to its former movie palace glory.

Emilia Clarke makes her West End debut as Nina in Anya Reiss’ unique 21st century modernisation of Anton Chekhov’s The Seagull, with direction by Jamie Lloyd.